The last week articles like this were showing up on my Facebook feed. While it's great we can look at some numbers and see vinyl sales (revenue) are apparently doing better than streaming sales (revenue), what are we really looking at here?
Revenue... not actual consumption.
... what's more important if you're an artist?
... here's a few things I take into consideration when looking at articles like this.
Vinyl (stamp) collections are cool.
Growing up as a 90's kid, CD collections were cool. You bought CDs not just for the music but also for the social aspect of it, to grow your collection... then when people came to your house, they saw your cd collection and how great your taste in music was... and factor that into how cool you were.
(... plus you could offer to lend and trade albums.)
Now I'm not saying I was cool, but I was aware of how my music collection reflected my own "coolness" and my taste in music was either going to add or subtract from my cool factor... and I did my best to buy 2-4 pre-owned CDs a month.
(... mind you, this all went out the window once we could download music and burn CDs... then it was more about being good with computers... and having internet.)
Living downtown Toronto, this is super apparent and an great conversation piece, especially between collectors and fans of vinyl.
I'm blown though how much some people spend on records, and once they have whatever album they were excited about, they move onto to wanting the next... often announcing they're holding themselves back from buying more!
(... just wait until you move out of your 2nd floor apartment with all that vinyl! That's how I felt about my books last move... I've since got a library card.)
It's a collectors thing though. You name the medium, the enthusiasts share a common thread and tone when they talk about their collections. Most people have their "thing" and vinyl can most definitely one of them.
The gaming industry went through something similar a couple years ago. Xbox One (Microsoft) decided against physical copies, not only encouraging downloads but making it mandatory (which is great for the game developers and publishers getting paid!), but a chunk of the gaming community wasn't too happy about it. On this, Playstation 4 (Sony... ironically) announced they'd absolutely continue with physical copies, and sorta threw Microsoft into the fire over their decision.
... and then Microsoft caved.
The main arguments for physical copies: ability to share/trade game copies with friends, take their copy over to a friends to play, re-sell later, buy pre-owned copies for a lesser price.
The main arguments for digital downloads: instant access to new games on release date or whenever (no need to wait for stores to open), instant access to new or extra content (patches), all users are assumed to have access to the internet for online play, developers and publishers can track sales easier and get paid.
Think about that for a minute...
... 58, 59, 60!
Revenue doesn't always reflect how people are actually consuming (music).
There's a reason record players were traded in for cassette decks... and it wasn't sonic quality.
We want music on the go!
Think about how awesome it would've been to have a record player in your car???
(... or public transit!!?)
Wait... I'm sure people just continued listening to the radio because it just wasn't really sensical to have a record player in your car... but with the creation of the cassette tape, it was now possible to take your purchased music in the car! Then the walkman... then the CD player came along... but that would probably skip in the car... then anti-skip! Then we had 5+ CD changers in the car... then MP3 cds... then the iPod...
You see where I'm going with this?
Imagine you can play your own radio stations on demand. That's streaming.
Imagine your entire record collection on demand. That's streaming.
Imagine everything on demand... that's streaming.
Right now I'm listening to a playlist on Songza, an app/service I pay $0/month for, so there's no revenue coming from me but they still have (although low) payouts for the content (music)... and I safely listen to Songza about 3-4 hours a day.
(... also this is streaming on my iPhone via WiFi.)
These playlists are where I discover new bands and where I can also give "thumbs up" or "thumbs down" (analytics people!)... and some bands I'll check into on Facebook and some I just have to see when they come play Toronto.
Even amongst my vinyl loving friends, I can't think of any that listen to records 3+ hours a day... but I know they download, and I know they stream... and they don't listen to vinyl in the car... or on public transit... but they're typically always listening to something somewhere.
...this: The porn industry either grossed or netted (does it even matter once you see the number??) $10-$12 billion in the US last year... alone.
... billion... for those of you who are not great at math, there's 1,000 millions in 1 billion.
Where is that money even coming from... since nobody knows anybody who's actually paying for it...??!
Concert Revenue > Everything Else
... this: "Billboard conservatively estimates that the global touring industry is approaching $20 billion annually -- its highest level ever." - BillBoard.com
If you're in a band and you want to make money? Get good and get out there and play.
It's going to be a grind for a while but performing live is where you build your career and eventually where you get paid
The bottom has fallen out of making money off recorded music that's sold on plastic... remember, the value (revenue) wasn't from the music or content on the plastic, but from the price the record companies (or "we" in an independent market) could charge for whatever piece of plastic it was on... that's why The Beatles and William Hung get signed and you might not.
You're still going to need some great recordings (of your best songs), videos, and merch (possibly including vinyl!) to help satisfy your fanbase and advertise the music, but with the idea it all needs to put pressure on the garden hose of playing live that will hopefully fill the bucket. Everything else should eventually be drops in comparison.
If you read the article, they're saying One Direction and Justin Timberlake grossed (not net) almost $500 million in 2014... one year!
... and their fans will have to buy another ticket if they want to see the show next (this) year.
(Even if they took home half of that, that's a decent return.)
... unlike recorded music... where in the next 10 years (for sure), we'll all be paying $9.99/month or less to listen to anything we want... from Michael Jackson to your neighbours amazing Grindcore band. It'll all be available through streaming... and with innovations like blockchain technology, the plays/spins will be recorded and any and all revenue will be easily and directly distributed.
Those are the numbers I want (and can't wait) to see.
- Mike :-)
Mike Langford - Official Blog
Being on both sides of the glass, I get the chance to wear many hats in the music industry. This is a place to share my thoughts, views, predictions, rants, stories and news!